Acad: Digital indies face early dying

The Film Academy's Science & Technology Council released the executive overview of part 2 of the "Digital Dilemma" group of the problems of extended-term storage of digital movie footage. This new document focuses on the independent and documentary industries in the movie business, plus it provides a harsh picture of filmmakers largely unaware how fragile current day born-digital movies are. "Generally,Inch states the report "independent films that beat the probabilities and secure some form of distribution accomplish this carrying out a substantially extended period of time than movies produced with the major art galleries. This time around around period most most likely exceeds the 'shelf life' connected having a digital work that's, when distribution is guaranteed, digital data may become inaccessible. "A lot of the filmmakers questioned and asked internally were not aware from the perishable character of digital content, or how short its unmanaged lifespan is within comparison for the 95-plus years that U.S. copyright laws and regulations and rules allow filmmakers to learn utilizing their work." The first Digital Dilemma report, released in 2007, dedicated to studio photos. It organized the price and impracticality of maintaining a digital archive of any type, showing it's way over individuals of storing film in the temperature controlled vault. Initially the Acad's Sci-Tech Council recommended a "migration" way of moving data regularly from hard drive to hard drive periodically. In subsequent presentations the Council has mentioned it's been proven to some mathematical certainty that migration is ultimately sure to fail. The conclusion: "Appropriate extended-term upkeep and access systems for digital film materials have not yet been developed." Basically, there's no known approach to preserve digital data over decades and make certain it'll remain readable. That isn't basically an problem for movie footage. The identical issues have related to digital medical records, financial data, together with additional information. The Acad is coping with Library of Congress together with other major industries, to locate a way to preserve digital assets. However, because people jobs are being backed by large business, they may not prove right for indie films and filmmakers. Indie films that lack studio distribution -- as well as the financial assets which include it -- are particularly possibility of being lost entirely. "Unless of course obviously an unbiased film is acquired having a major studio's distribution arm," states the summary, "its route to an audiovisual archive is uncertain. In case your filmmaker's digital work doesn't achieve this kind of upkeep atmosphere, its lifespan will probably be limited - as will its revenue-creating potential and just how it will also help in the full method of calculating U.S. copyright protection." Knowledge of the issue wasn't any greater among documentarians than among narrative indie filmmakers. States the report: "Questioned and asked documentarians did not appear concerned about or alert to the possibility or possibility of digitally acquired historic footage being lost. On the other hand, they thought the web and offer day digital technologies offered unequalled utilization of historic footage." The whole report, not released, includes plans for further education, talking about of understanding and collaboration among archives together with other orgs. The summary concludes by proclaiming that unless of course obviously upkeep becomes essential of planning, budgeting and marketing techniques, it'll remain an problem for indie filmmakers, documentarians and archives alike. "These cities, as well as the nation's artistic and cultural heritage, would greatly make the most of a comprehensive, matched up digital upkeep plan money for hard times.In . Contact David S. Cohen at david.cohen@variety.com

Keep on top of Talent Agency and Casting Office Contacts

No cheating.Which in the following solutions below might be the right response to the question?Paul Russell Casting's current land mail address is:A. 159 West 25th Street, Suite 1209, NY, NYB. 525 Eighth Avenue, Suite 1005, NY, New you are able to city. 38 West 38th Street, second Floor, NY, NYD.330 West 38th Street, Suite 1208, NY, NYE. No aboveF. I have no clueRetain what you want for later. Just in case your response is founded on the below situations, you'll have the wrong address. You're wasting money and with delivering advertisements to my office but additionally for a number of your capabilities agency and casting director mailings.If you're buying pre-printed mailing labels that are promoted as obtaining the present addresses of talent agencies and/or casting offices attached on their behalf or Dvds focusing on a single imprinted digital information. In the event you rely on the web "audition boards" and "actor-friendly-sites-for-a-fee" for finding the current addresses of talent agencies and/or casting offices. If you're purchasing non-fiction books round the entertainment industry declaring to offer the most up-to-date information on agents and/or casting company company directors. Exactly how up-to-date can people records be when the publish date round the cover page can be a year or maybe more past?Agents, casting company company directors, together with other entertainment professionals act like stars if the involves maintaining semi-permanence of brick-n-mortar positioning. The credit card board boxes for moving will be close at hands. A domain with an agency or casting office that was valid yesterday is often vacant or occupied by another entity tomorrow. Why? Several reasons. Listed below are three.1. Rentals are Pricey. Entertainment affiliate affiliate payouts are often modest to non-existent for your players behind the curtain. Agencies and casting (unless of course obviously they are cash-wealthy companies) routinely vary from one office to another to have the ability to survive financially. When office rents increase, the title plate round the talent reps' or casting directors' door comes lower which is soon situated around the admission to more budget-friendly abode.2. Film and tv Casting Company company directors are Nomadic. You'll find only numerous screen casting company company directors that have an enduring, non-home business office they have the result from the rent. Many film and tv casting company company directors are self-employed who work from whatever industrial, gray cubicle the expansion company provides. Once the production systems, the casting director builds up their own laptop together with other toys and progresses. The next tenant (frequently a civilian-based business) remains wondering why they are receiving actor headshots via land mail.3. Freelance Casting Company company directors Leverage the Home Business Office. Casting company company directors, unlike talent agents that are restricted by performers' unions, could work everywhere, and many are abandoning formal offices. A substantial section of casting company company directors, due to the net, now work on home offices. Personally, I love searching within the trees out my back library window while my cats chase each other like rambunctious children after i scan actor rsums and headshots. My stress is less.But vacated offices by casting company company directors and representation aren't the only challenge an actress faces in striking their targets with marketing. There's frequent personnel turn-over.Casting and talent affiliate marketers and assistants jump from office to office as being a hyper wager on checkers carried out by espresso-drunk apes. A realtor at one office yesterday may today work on another agency or have opened up up his personal office. To know where the players within our game are, you need to keep informed in the turn-over transitions.Having less consistency for just about any valid contact address or current personnel leaves the actor who's properly doing land-based mailings getting an issue. Precisely how to keep Gps navigation navigation-like watch while using entertainment nomads? You'll find only the following two reasonably assured accurate shops for stars: "Call Sheet" (formerly known to as "Ross Reviews") and IMDBPro.com.[Note: Just before going further here marketing "Call Sheet," "Back Stage" did not request of me to solicit on their own account via this publish, nor am i held receiving compensation for my viewpoints. Since that's taken proper care of let's proceed.]"Call Sheet," launched by "Back Stage," is released six occasions yearly in print an online-based versions. Right before each publication, the "Call Sheet" editor updates contacts for your agents and casting company company directors listed. Actor-friendly websites, pre-printed mailing label merchants, together with other "assets" rip information from older versions of "Call Sheet" after which it re-sell it off to stars. Stars are needing to pay others frequently peer stars for "used goods" that are constantly problematic. A number of these re-merchants never update and/or make corrections. Like lazy stars who never bother to update their particular e-mail lists, the re-merchants offer information collected once and then sell on onto it many occasions.How are you aware this? Because my office still receives mail (frequently on pre-printed labels) for the way back when abandoned addresses above. As well as the only reason my office still receives numerous that out-dated, addressed mail is really because the mail company at three of history PRC locations above is similar and forwards to my present out-of-the-city address.Re-merchants of agent and casting director addresses aggravate an actor's mission for correct information further by frequently restricting the geography in the talent areas. When the actor wants information for agents and casting company company directors on shores, they usually must purchase that information individually. Sometimes, the re-merchants also pressure stars to purchase contacts for agents and contacts for casting company company directors individually. Stars are needing to shell out wads of cash for outdated information.Whereas, with "Call Sheet," the actor can get every franchised agent and casting director nationwide. That's When the agency, agent, or casting office wants to be listed. Most do just like a professional courtesy for the industry.One more plus to "Call Sheet" is always that a place of work includes a web site and/or e-mail address. (The 2nd a precious commodity for actor marketing.)IMDBPro.com might have similar information for agents and casting company company directors. But updates and proper addresses are reliant upon someone within the talent agency or casting office manually typing the information and delivering it within the ether this is the web. This really is frequently overlooked.The cent-pinching actor may scoff at needing to purchase information via "Call Sheet" and/or IMDBPro.com, thinking they could scoop the information totally free from a web-based internet internet search engine. To people short-sighted scrapers I challenge these with this Google "Paul Russell Casting" and find out the amount of contact addresses are returned. You will notice several. Which might be the right address? Only one website is now offering my new address. Others will probably be incorrect.With postal rates constantly growing as well as the economy forcing moves or office closures, an actress should update their e-mail lists no less than two occasions yearly. Don't have a customer list? Don't learn how to mail-merge and regularly send-out both digital and hard advertisements which get a solution? In the event you clarified to "no" towards the of people questions bad actor. I realize that site visitors of "ACTING: Ensure It Is Your CompanyInch clarified "yes" and so are before you in marketing once they apply themselves.Keep your contacts current. Avoid re-merchants. It's your career. Your organization. You can run it as being a Fortune 500 company or piddle it away as being a forgotten mother-n-pop convenience store. You're the one that's within charge. Take action.Now, the reaction to the question "Paul Russell Casting's current land mail address is" is "E. No Above."In the event you experienced my office address wrong (which changed by 1/1/2012), you know what happens you have to do. Be ingenious. Do your projects becoming an actor which, simply, is to discover reliable techniques to locate work.Paul Russell's career just like a casting director, director, acting teacher and former actor has spanned nearly 30 years. He's done projects for major film art galleries, television systems, and Broadway. He's the author of "ACTING: Ensure It Is Your Organization Preventing Mistakes and obtain Success just like a Working Actor." For more information, take a look at internet.PaulRussell.internet.

Will Smith To Host Kids Choice Awards In March

First Published: January 11, 2012 3:25 PM EST Credit: Getty Premium NY, N.Y. -- Caption Will Smith gives the peace sign as he arrives at Narita International Airport, Japan, August 3, 2010Will Smith will host Nickelodeons 25th-annual Kids Choice Awards. Nickelodeon announced Wednesday that 10-time winner Smith will host the March 31 ceremony from the Galen Center in Los Angeles. The show will air live on Nickelodeon. Smith calls the awards the years liveliest, slimiest and most outrageous party for kids and teens. The actor recently finished filming Men in Black III. The Kids Choice Awards honor kids favorites in film, music, sports and television by tallying the votes of kids online and via mobile devices. During the show, green slime is routinely dumped on celebrities and winners receive trophies shaped like blimps. Copyright 2012 by The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

VH1 Benches Celebrity Rehab and Sober House

Dr. Came Pinsky Dr. Came Pinsky's programs Celebrity Rehab and Celebrity Rehab Presents Sober House won't air in 2012, though they might return.A VH1 repetition states the shows aren't cancelled, stating "arranging issues" as the reason behind the benching, based on EW.Has Dr. Came offered out?This news does not come as that a surprise, thinking about Dr. Drew's growing presence on daytime television (his CW talk show, Lifechangers) and the self-entitled show on HLN. As well as, the show continues to be under scrutiny considering the deaths of former cast people Shaun Conaway and Mike Starr.Former Alice in Chains bassist Mike Starr dies at 44The newest Rehab season, known as "Revisited" checked in on a few of the show's most well known former patients, including Rodney King, Andy Dick, Heidi Fleiss, and Janice Dickinson. The finale broadcast 12 ,. 12.Rather, VH1 is placed to produce Relationship Rehab - a spin-from the reveal that seeks to repair broken associations. Not sure yet around the show's premiere date.

Hugh Jackman Brings In Big Bucks On Broadway

First Published: January 2, 2012 12:26 PM EST Credit: Getty Images NY, N.Y. -- Caption Hugh Jackman promotes his upcoming DreamWorks Studios film, Real Steel, during CinemaCon, the official convention of the National Association of Theatre Owners, at The Colosseum of Caesars Palace, Las Vegas, March 29, 2011Hugh Jackman has left Broadway with a lot of broken hearts and records. The hunky Australian actors one-man Broadway concert show closed on Sunday afternoon at the Broadhurst Theatre after having earned $2,057,354 in its final week, the highest weekly gross recorded by the Shubert Organization, which owns the Broadhurst and 16 other Broadway theaters. Over its 10-week run, Jackman earned a whopping $14,638,428, producers said. He now owns 10 of the 11 top grossing weeks at the Broadhurst.. Jackman, best known for being the hairy Wolverine in The X-Men franchise, routinely sold out the 1,176-seat theater and usually posted weekly grosses of $1.5 million, often higher than rival musicals such as Jersey Boys, 'Mama Mia! 'How to Succeed in Business, 'Anything Goes and Follies. Only Wicked and The Lion King, produced by other organizations, consistently outdid Jackman. But those shows also had much higher overhead costs. The previous record at the Broadhurst was held by the Al Pacino-led The Merchant of Venice, which took in $1,175,750 earlier this year. Until now, the Shubert Organizations one-week biggest haul was Billy Elliot, which earned $1,663,895 during an eight-show stretch last year. During the run, Jackman raised a record $1,789,580 for the charity Broadway Cares/Equity Fights AIDS. The run not only confirms him as one of the most bankable stars in Broadways history but also as a fundraiser, producer Robert Fox said. Backed by an 18-piece orchestra and six leggy dancers, a charming Jackman belted out about two dozen musical theater songs in Hugh Jackman, Back on Broadway. It was his third time on the Great White Way, following The Boy From Oz in 2003 and the play A Steady Rain with Daniel Craig in 2009. The show featured his interpretations of songs ranging from the sexy R&B tune Fever to Rock Island, from The Music Man to a medley of classic movie songs such as Singin in the Rain and Luck Be a Lady. The average ticket went for $160, with top premiums going for $350. Some of the highlights included the eight-minute Soliloquy from the Rodgers and Hammerstein musical Carousel, and a collection of songs from his Tony Award-winning turn in The Boy From Oz while wearing Peter Allen-inspired matching gold lame pants and jacket, and gold shoes. Jackmans other stage credits include Australian productions of Sunset Boulevard and Beauty and the Beast. In London he starred as Curly in Trevor Nunns staging of Rodgers&Hammersteins Oklahoma! Next year, he plans to star in a version of the musical Les Miserables. Copyright 2012 by The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.